Jerry Brotton's "The Renaissance: A Very Short Introduction" commences by using an interesting literary device to capture and focus the reader's attention: the Renaissance is introduced to us via the examination of one of the most famous pieces of artwork of the time, Han's Holbien's "The Ambassadors." This painting, which was completed about 1533, but not discovered until sometime in the 19th century, is a cornucopia of visual Renaissance imagery that illuminates our subject in a way that a standard written introduction alone might have trouble achieving. By using this painting not as a visual prop but as a focal point of discussion, the subject is made open to the reader in an appealing and stimulating manner. And once we are on our way, we find it difficult to stop, because Brotton's treatment of the subject is fully engaging while providing the important facts, issues, and mindsets of the period. This approach, along with the author's obvious talent in concise writing, makes the text a wonderful addition to Oxford's "Very Short Introduction" Series.



After examining the Holbien painting, the author turns our focus to a second painting which helps us further explorer our subject with this same type of approach: Gentile and Bellini's "Saint Mark Preaching in Alexandria." From this work, also a masterpiece of the period, we are introduced to the subjects of Renaissance finance and financial issues, the increase of trade in volume and scope, introduction to new cultural contacts, the impact external culture had on Europe, and more. So, whereas the first painting by Holbien introduces the reader to main concepts of the period, the second, the Bellini work, helps us understand the changes that occurred in the period as a result of outside contact. It's an effective literary tool, and Brotton uses it deftly throughout the remainder of the work, where additional artwork is examined as needed until the end of the text.



Once this setting and background is established, Brotton commences a treatment of the major themes of the Renaissance, and takes enough time to discuss the basic elements of each while, astonishingly, keeping the text length within the boundaries of the "Very Short Introduction" Series. We look into the development of the printing press and its role in spreading the new humanism, the differences between humanism and medieval scholasticism, and more. The ability of the printing press to spread humanistic thought in a way not previously possible is discussed in detail, as is the effect of the printing press on men such as Luther, Erasmus, and Machiavelli. Subsequent chapters investigate the interplay between church and state (a major issue during the Renaissance), the exploration of the New World, and innovations in science and philosophy. Each of these themes is discussed with sufficient detail for the reader to walk away with a clear notion of why there is a separate period called "The Renaissance," and how that period uniquely differed from the medieval period.



This book is what it is, an INTRODUCTION to the Period, not a detailed position paper on every aspect of The Renaissance. As such, there may be some contention, as there generally is with any short introduction book, on the author's view on specific aspects of the subject, and perhaps, factual references. Nevertheless, Brotton's approach is engaging, informing, and easily carries the work from start to finish. Although it is helpful to have some background in medieval history to more fully grasp the significance of the author's exposition, it is really not necessary, as Brotton does a good job of describing the differences without being distracted from his topic. I highly recommend this interesting book to anyone wishing to be introduced to that special period we now call "The Renaissance."