Critics have observed that the widely popular detective story is essentially a literary game, and have speculated that readers might tire of its structured formula, thereby leading to the eventual disappearance of this genre. Nonetheless, after more than 150 years, the mystery story remains vibrant. Why is this so? The Oxford Book of American Detective Stories provides an answer.



Tony Hillerman and Rosemary Herbert have assembled stories that trace the evolution of the American detective short story. Their contention, amply supported by their selections, is that American authors have stretched, modified, and violated the rules and structural form of the detective story, thereby continuously enriching this genre, and ensuring its longevity. Each story is preceded with an interesting, one-page discussion on topics like the emergence of credible female detectives, the growth of regionalism, and the development of authentic, psychologically complex characters.



This literary theme is interesting in itself, but the primary attraction is the stories. I especially liked I'll Be Waiting (Raymond Chandler), Small Homicide (Ed McBain), Guilt-Edged Blonde (Ross MacDonald), Christmas Party (Rex Stout), Words Do Not A Book Make (Bill Pronzini), Benny's Space (Marcia Muller) and Chee's Witch (Tony Hillerman).



Some were titles that I have encountered elsewhere: Rear Window (Cornell Woolrich), The Problem of Cell 13 (Jacques Futrelle), The Doomdorf Mystery (Melville Davisson Post), The Parker Shotgun (Sue Grafton), An Error in Chemistry (Faulkner) and The Murders in the Rue Morgue (Poe). Others were by early masters of this genre: Erle Stanley Gardner, John Dickson Carr, Ellery Queen, Anthony Boucher, and Edward Hoch.



All in all, the thirty-three stories selected by Hillerman and Herbert create a satisfying, enjoyable anthology, one that will appeal to avid readers of detective fiction.